• The Monterey Pop Festival of 1967 was a watershed event in American music. When it was over, the world had heard and felt the sound of a Strat® in the hands of a master. Single-coils in 1967 were bright and very clean. And, of course, they hummed. We've captured the classic bright and clean sound but totally eliminated the hum with our patented Area™ technology. We've also reduced magnet pull by 40% for improved sustain and clarity. The Area 67™ has the chime of 60s pickups, and the 2 and 4 positions are light, bright and quack-happy.
  • The Monterey Pop Festival of 1967 was a watershed event in American music. When it was over, the world had heard and felt the sound of a Strat® in the hands of a master. Single-coils in 1967 were bright and very clean. And, of course, they hummed. We've captured the classic bright and clean sound but totally eliminated the hum with our patented Area™ technology. We've also reduced magnet pull by 40% for improved sustain and clarity. The Area 67™ has the chime of 60s pickups, and the 2 and 4 positions are light, bright and quack-happy.
  • DiMarzio® has been working on serious vintage single-coil design with no hum for twelve years. Our goal has always been to capture the best qualities of pickups we heard from the 1950s and early 60s. We’ve played several pickups from the early 60s that had a unique tonality: they were steely, yet woody-sounding. Naturally, we wanted to nail this sound, and we wanted to do it with no hum and less magnet-pull. The Area 61™ does it. It’s good in all three positions. It’s the perfect bridge pickup with a pair of Area 58™ pickups if you want to go all the way from Nashville to Texas in one guitar.
  • DiMarzio® has been working on serious vintage single-coil design with no hum for twelve years. Our goal has always been to capture the best qualities of pickups we heard from the 1950s and early 60s. We’ve played several pickups from the early 60s that had a unique tonality: they were steely, yet woody-sounding. Naturally, we wanted to nail this sound, and we wanted to do it with no hum and less magnet-pull. The Area 61™ does it. It’s good in all three positions. It’s the perfect bridge pickup with a pair of Area 58™ pickups if you want to go all the way from Nashville to Texas in one guitar.
  • There are two major differences between a great vintage Strat® pickup and an average one: treble response and dynamics. A great pickup is clear and bright, but not thin-sounding. A great one makes the sound jump out of the amp when you pick hard and drop way down when you play softly, and the tone varies when the string is picked at different spots. The best pickup we’ve ever heard like this was from 1958, and that’s what inspired the Area 58™, with two major differences. Our pickup has way less magnet pull, and virtually no hum.
  • The Virtual Vintage® 54 Pro uses the same groundbreaking technology as our Area 58™ and Area 61™ pickups. The Virtual Vintage® 54 Pro replaces the Virtual Vintage® 54 and VirtuAL 2® middle pickups. It has a warm, smoky sound, fattens up when you pick hard, and has a special grade of Alnico 2 magnet to reduce string pull. Like all of the Virtual Vintage® models, it’s dead quiet.
  • The Virtual Vintage® 54 Pro uses the same groundbreaking technology as our Area 58™ and Area 61™ pickups. The Virtual Vintage® 54 Pro replaces the Virtual Vintage® 54 and VirtuAL 2® middle pickups. It has a warm, smoky sound, fattens up when you pick hard, and has a special grade of Alnico 2 magnet to reduce string pull. Like all of the Virtual Vintage® models, it’s dead quiet.
  • What do you need in order to play blues with a Strat®? The Virtual Vintage® Blues has more power and warmth than a typical single-coil. You can really hear these qualities when you’re playing the Virtual Vintage® Blues. It withstands hard picking and opens up when you’re playing with an overdriven amp. Instead of shrinking away, the sound jumps out of the speakers. These qualities are really useful for getting a fat neck position sound, but they’re outstanding for the bridge position — particularly if you have a thin-sounding guitar or use light gauge strings. It’s a tough sounding bridge pickup with warmer guitars, and makes a good neck and middle choice to match with a full-size bridge humbucker. As the rest of the Virtual Vintage® family, it’s dead quiet; there’s practically no hum at all.
  • If you’ve heard the cliché that Alnico 2 means warm, soft sound, prepare to be surprised. This is not a polite pickup, and the closer it’s adjusted to the strings, the more raw it gets. In particular, the Alnico 2 magnetic field opens up all of the attack and definition of the low strings. It’s a hot pickup with a strong attack in the bridge position, and its Alnico 2 magnets allow it to work very well in the neck position as well, for players who want a very warm, round sound. If you want an in-your-face-and-proud-of-it sound, the Virtual Vintage® Heavy Blues 2 is the top pick.
  • Quick Connect: No
    Wiring: 4 Conductor
    Magnet: Alnico 5
    Resistance: 11.17 Kohm
    We've combined the best qualities of the Virtual Vintage® Solo and Virtual Vintage® Solo Pro™ — high output and a full, warm sound — and pushed these qualities even further. Treble response is smoother, the lows are tighter, and there is more pick attack. Play hard, and the sound jumps out of the amp. Play softer, and the sound becomes cleaner and quieter. Naturally, there's no hum. See more: https://www.dimarzio.com/pickups/stacked-hum-canceling-strat/virtual-solo
  • The Monterey Pop Festival of 1967 was a watershed event in American music. When it was over, the world had heard and felt the sound of a Strat® in the hands of a master. Single-coils in 1967 were bright and very clean. And, of course, they hummed. We've captured the classic bright and clean sound but totally eliminated the hum with our patented Area™ technology. We've also reduced magnet pull by 40% for improved sustain and clarity. The Area 67™ has the chime of 60s pickups, and the 2 and 4 positions are light, bright and quack-happy.
  • There are two major differences between a great vintage Strat® pickup and an average one: treble response and dynamics. A great pickup is clear and bright, but not thin-sounding. A great one makes the sound jump out of the amp when you pick hard and drop way down when you play softly, and the tone varies when the string is picked at different spots. The best pickup we’ve ever heard like this was from 1958, and that’s what inspired the Area 58™, with two major differences. Our pickup has way less magnet pull, and virtually no hum.
  • DiMarzio® has been working on serious vintage single-coil design with no hum for twelve years. Our goal has always been to capture the best qualities of pickups we heard from the 1950s and early 60s. We’ve played several pickups from the early 60s that had a unique tonality: they were steely, yet woody-sounding. Naturally, we wanted to nail this sound, and we wanted to do it with no hum and less magnet-pull. The Area 61™ does it. It’s good in all three positions. It’s the perfect bridge pickup with a pair of Area 58™ pickups if you want to go all the way from Nashville to Texas in one guitar.
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