• Quick Connect: No
    Wiring: 4 Conductor (1 Conductor optional)
    Magnet: Alnico 5
    Resistance: 8.60 Kohm Spacing: 53mm (F)
    Here are the characteristics that make a great vintage humbucker: a soft magnetic field, sweet tone, perfect balance between warmth and clarity, the ability to go from clean to distorted by pick attack alone. For our PAF® 36th Anniversary Bridge we wanted to continue in the path of pioneers such as Seth Lover (designer of the original Patent Applied For humbucker) and create pickups that combine all of the characteristics of great vintage humbuckers. These pickups are not merely clones. We re-engineered the PAF® using our patented technology and Larry DiMarzio’s own 1959 cherry sunburst Gibson® Les Paul® as the reference. Larry’s Gibson® Les Paul® has a uniquely amazing sound and it’s not only due to the pickups — it’s the total fusion of many elements of the guitar itself. Although the pickups have a weak magnetic field, the sound is well defined — almost like a single-coil. We duplicated the weaker magnetic field in order to allow the strings to vibrate longer, as well as focus and articulate the attack and output. We use computer-controlled winders to consistently layer the 42-gauge custom-coated wire, achieving the exact frequency response we want. Then it’s dipped in our custom formula to eliminate squeal and microphonics. The cover is made from nickel-silver and our new plating makes it more magnetically transparent than the originals. The PAF® 36th Anniversary Neck is smooth but not muddy. It performs equally well in the neck or bridge, just as the best humbuckers from the 50s did. The PAF® 36th Anniversary Bridge is hotter than the Neck. It is not only for set neck 24¾” scale guitars, but it’s also an excellent bridge pickup for trem-equipped bolt-ons. We’ll build the PAF® 36th Anniversary any way you want it. Choose the bobbin style — vintage glossy or modern matte, the type of base — traditional, long-legged or standard, short-legged, and the type of cable — vintage single-conductor or 4-conductor. The PAF® 36th Anniversary Bridge is available uncovered, and we also offer three types of covers — standard polished and plated, buffed with no plating, and our vintage worn cover that looks so authentic and broken in that you’ll swear it’s been hanging around since 1959. See more: https://www.dimarzio.com/pickups/vintage-paf-output/paf-36th-anniversary-bridge  
  • Quick Connect: No
    Wiring: 4 Conductor (1 Conductor optional)
    Magnet: Alnico 5
    Resistance: 8.60 Kohm Spacing: 53mm (F)
    Here are the characteristics that make a great vintage humbucker: a soft magnetic field, sweet tone, perfect balance between warmth and clarity, the ability to go from clean to distorted by pick attack alone. For our PAF® 36th Anniversary Bridge we wanted to continue in the path of pioneers such as Seth Lover (designer of the original Patent Applied For humbucker) and create pickups that combine all of the characteristics of great vintage humbuckers. These pickups are not merely clones. We re-engineered the PAF® using our patented technology and Larry DiMarzio’s own 1959 cherry sunburst Gibson® Les Paul® as the reference. Larry’s Gibson® Les Paul® has a uniquely amazing sound and it’s not only due to the pickups — it’s the total fusion of many elements of the guitar itself. Although the pickups have a weak magnetic field, the sound is well defined — almost like a single-coil. We duplicated the weaker magnetic field in order to allow the strings to vibrate longer, as well as focus and articulate the attack and output. We use computer-controlled winders to consistently layer the 42-gauge custom-coated wire, achieving the exact frequency response we want. Then it’s dipped in our custom formula to eliminate squeal and microphonics. The cover is made from nickel-silver and our new plating makes it more magnetically transparent than the originals. The PAF® 36th Anniversary Neck is smooth but not muddy. It performs equally well in the neck or bridge, just as the best humbuckers from the 50s did. The PAF® 36th Anniversary Bridge is hotter than the Neck. It is not only for set neck 24¾” scale guitars, but it’s also an excellent bridge pickup for trem-equipped bolt-ons. We’ll build the PAF® 36th Anniversary any way you want it. Choose the bobbin style — vintage glossy or modern matte, the type of base — traditional, long-legged or standard, short-legged, and the type of cable — vintage single-conductor or 4-conductor. The PAF® 36th Anniversary Bridge is available uncovered, and we also offer three types of covers — standard polished and plated, buffed with no plating, and our vintage worn cover that looks so authentic and broken in that you’ll swear it’s been hanging around since 1959. See more: https://www.dimarzio.com/pickups/vintage-paf-output/paf-36th-anniversary-bridge  
  • Quick Connect: No
    Wiring: 4 Conductor (1 Conductor optional)
    Magnet: Alnico 5
    Resistance: 8.60 Kohm Spacing: 53mm (F)
    Here are the characteristics that make a great vintage humbucker: a soft magnetic field, sweet tone, perfect balance between warmth and clarity, the ability to go from clean to distorted by pick attack alone. For our PAF® 36th Anniversary Bridge we wanted to continue in the path of pioneers such as Seth Lover (designer of the original Patent Applied For humbucker) and create pickups that combine all of the characteristics of great vintage humbuckers. These pickups are not merely clones. We re-engineered the PAF® using our patented technology and Larry DiMarzio’s own 1959 cherry sunburst Gibson® Les Paul® as the reference. Larry’s Gibson® Les Paul® has a uniquely amazing sound and it’s not only due to the pickups — it’s the total fusion of many elements of the guitar itself. Although the pickups have a weak magnetic field, the sound is well defined — almost like a single-coil. We duplicated the weaker magnetic field in order to allow the strings to vibrate longer, as well as focus and articulate the attack and output. We use computer-controlled winders to consistently layer the 42-gauge custom-coated wire, achieving the exact frequency response we want. Then it’s dipped in our custom formula to eliminate squeal and microphonics. The cover is made from nickel-silver and our new plating makes it more magnetically transparent than the originals. The PAF® 36th Anniversary Neck is smooth but not muddy. It performs equally well in the neck or bridge, just as the best humbuckers from the 50s did. The PAF® 36th Anniversary Bridge is hotter than the Neck. It is not only for set neck 24¾” scale guitars, but it’s also an excellent bridge pickup for trem-equipped bolt-ons. We’ll build the PAF® 36th Anniversary any way you want it. Choose the bobbin style — vintage glossy or modern matte, the type of base — traditional, long-legged or standard, short-legged, and the type of cable — vintage single-conductor or 4-conductor. The PAF® 36th Anniversary Bridge is available uncovered, and we also offer three types of covers — standard polished and plated, buffed with no plating, and our vintage worn cover that looks so authentic and broken in that you’ll swear it’s been hanging around since 1959. See more: https://www.dimarzio.com/pickups/vintage-paf-output/paf-36th-anniversary-bridge  
  • Quick Connect: No
    Wiring: 4 Conductor
    Magnet: Ceramic
    Resistance: 13.90 Kohm Spacing: 53mm (F)
    The legendary pickup that put high-output ceramic humbuckers on the map, now available with a vintage PAF® look, without the adjustable Pole pieces. This design blends in with classic pickup designs. The Super Distortion® started a sound revolution. Replacement pickups simply didn’t exist before the invention of the Super Distortion® in the early Seventies. The Super Distortion® (and its original 3-conductor version, the Dual Sound®) was the first pickup specifically designed to kick a tube amp into total overdrive, and is still the standard by which all other high-output pickups are measured. The Super Distortion® has a perfect blend of power and tone: both single-notes and chords jump out of the amp and fill the room (or the track) with a wall of sound. The balance of tones is classic — thick, boosted mids, big lows and fat highs. This is the sound you’ve heard for five decades on platinum records, from players as varied as Ace Frehley, Al Di Meola, Phil Collen, Tom Scholz, and Paul Gilbert. It’s also versatile: 4-conductor wiring allows instant access to Strat®-like split and series-parallel modes. Discover what thousands of great players know: the Super Distortion® is the best all ’round high-power pickup ever made. See more: https://www.dimarzio.com/pickups/high-power/super-paf-ceramic  
  • Quick Connect: No
    Wiring: 4 Conductor
    Magnet: Ceramic
    Resistance: 13.90 Kohm Spacing: 53mm (F)
    The legendary pickup that put high-output ceramic humbuckers on the map, now available with a vintage PAF® look, without the adjustable Pole pieces. This design blends in with classic pickup designs. The Super Distortion® started a sound revolution. Replacement pickups simply didn’t exist before the invention of the Super Distortion® in the early Seventies. The Super Distortion® (and its original 3-conductor version, the Dual Sound®) was the first pickup specifically designed to kick a tube amp into total overdrive, and is still the standard by which all other high-output pickups are measured. The Super Distortion® has a perfect blend of power and tone: both single-notes and chords jump out of the amp and fill the room (or the track) with a wall of sound. The balance of tones is classic — thick, boosted mids, big lows and fat highs. This is the sound you’ve heard for five decades on platinum records, from players as varied as Ace Frehley, Al Di Meola, Phil Collen, Tom Scholz, and Paul Gilbert. It’s also versatile: 4-conductor wiring allows instant access to Strat®-like split and series-parallel modes. Discover what thousands of great players know: the Super Distortion® is the best all ’round high-power pickup ever made. See more: https://www.dimarzio.com/pickups/high-power/super-paf-ceramic  
  • Quick Connect: No
    Wiring: 4 Conductor
    Magnet: Ceramic
    Resistance: 11,05 Kohm Spacing: 53mm (F)
    Transition Neck & Bridge Model pickups were designed for Steve Lukather and Luke's LIII™ Music Man guitar. The pickups are named after Steve’s album, Transition (release date January 21, 2013). Lukather played the LIII™ guitar with Transition™ pickups throughout the whole record. The passive Transition™ humbuckers are both subtle and tough. They have power and they have depth. Steve says they’re organic, and they allow him to own his sound. “These days I like it simple and direct,” he shares. The Transition™ Neck Model performs like a vintage humbucker with a bad attitude. It has punch and edge, and it’s fast. See more: https://www.dimarzio.com/pickups/high-power/transition-bridge
  • Quick Connect: No
    Wiring: 4 Conductor
    Magnet: Ceramic
    Resistance: 10,23 Kohm Spacing: 53mm (F)
    Transition Neck & Bridge Model pickups were designed for Steve Lukather and Luke's LIII™ Music Man guitar. The pickups are named after Steve’s album, Transition (release date January 21, 2013). Lukather played the LIII™ guitar with Transition™ pickups throughout the whole record. The passive Transition™ humbuckers are both subtle and tough. They have power and they have depth. Steve says they’re organic, and they allow him to own his sound. “These days I like it simple and direct,” he shares. The Transition™ Neck Model performs like a vintage humbucker with a bad attitude. It has punch and edge, and it’s fast. See more: https://www.dimarzio.com/pickups/vintage-paf-output/transition-neck
  • Quick Connect: No
    Wiring: 4 Conductor
    Magnet: Ceramic
    Resistance: 10,23 Kohm Spacing: 53mm (F)
    Transition Neck & Bridge Model pickups were designed for Steve Lukather and Luke's LIII™ Music Man guitar. The pickups are named after Steve’s album, Transition (release date January 21, 2013). Lukather played the LIII™ guitar with Transition™ pickups throughout the whole record. The passive Transition™ humbuckers are both subtle and tough. They have power and they have depth. Steve says they’re organic, and they allow him to own his sound. “These days I like it simple and direct,” he shares. The Transition™ Neck Model performs like a vintage humbucker with a bad attitude. It has punch and edge, and it’s fast. See more: https://www.dimarzio.com/pickups/vintage-paf-output/transition-neck
  • Quick Connect: No
    Wiring: 4 Conductor
    Magnet: Ceramic
    Resistance: 10,23 Kohm Spacing: 53mm (F)
    Transition Neck & Bridge Model pickups were designed for Steve Lukather and Luke's LIII™ Music Man guitar. The pickups are named after Steve’s album, Transition (release date January 21, 2013). Lukather played the LIII™ guitar with Transition™ pickups throughout the whole record. The passive Transition™ humbuckers are both subtle and tough. They have power and they have depth. Steve says they’re organic, and they allow him to own his sound. “These days I like it simple and direct,” he shares. The Transition™ Neck Model performs like a vintage humbucker with a bad attitude. It has punch and edge, and it’s fast. See more: https://www.dimarzio.com/pickups/vintage-paf-output/transition-neck
  • Quick Connect: No
    Wiring: 4 Conductor
    Magnet: Ceramic
    Resistance: 11,05 Kohm Spacing: 50mm
    Transition Neck & Bridge Model pickups were designed for Steve Lukather and Luke's LIII™ Music Man guitar. The pickups are named after Steve’s album, Transition (release date January 21, 2013). Lukather played the LIII™ guitar with Transition™ pickups throughout the whole record. The passive Transition™ humbuckers are both subtle and tough. They have power and they have depth. Steve says they’re organic, and they allow him to own his sound. “These days I like it simple and direct,” he shares. The Transition™ Neck Model performs like a vintage humbucker with a bad attitude. It has punch and edge, and it’s fast. See more: https://www.dimarzio.com/pickups/high-power/transition-bridge
  • Quick Connect: No
    Wiring: 4 Conductor
    Magnet: Ceramic
    Resistance: 13.74 Kohm Spacing: 53mm (F)
    Sensational guitarist Nita Strauss is known for hard rocking metal. She wanted a modern take on a classic rock sound. When you're on the road playing different venues as much as Nita is, you discover exactly what works and what doesn't. You can rest assured that the Pandemonium™ Bridge Model will perform because it's 100% road tested by Nita. DiMarzio's Pandemonium™ humbucking pickups feature a custom pickup grill with the design cut all the way through the black metal cover, allowing the Double Cream™ bobbins below to show through. The Pandemonium™ Bridge Model is available in F-spacing only. See more: https://www.dimarzio.com/pickups/high-power/pandemonium-bridge  
  • Quick Connect: No
    Wiring: 4 Conductor
    Magnet: Ceramic
    Resistance: 12.24 Kohm Spacing: 53mm (F)
    Sensational guitarist Nita Strauss is known for hard rocking metal. She wanted a modern take on a classic rock sound. When you're on the road playing different venues as much as Nita is, you discover exactly what works and what doesn't. You can rest assured that the Pandemonium™ Neck Model will perform because it's 100% road tested by Nita. DiMarzio's Pandemonium™ humbucking pickups feature a custom pickup grill with the design cut all the way through the black metal cover, allowing the Double Cream™ bobbins below to show through. The Pandemonium™ Neck Model is available in F-spacing only. See more: https://www.dimarzio.com/pickups/high-power/pandemonium-neck  
  • The Suhr Modern Plus, has a sleek body with Scraped/Revealed wood bindings, and a classy looking Flame Top. A great HSH pickup combo, heavy frets and a slim neck, has made this guitar a popular choice among modern guitarists. Bengal Burst is a popular colour, and we don't get many!
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